Modern Japanese and Western Music Theory / NISHIDA Hiroko / 仲辻 Maho

Product description ※Please note that product information is not in full comprehensive meaning because of the machine translation.

"Compared with the acceptance of Western music in modern Japan, there are many unknowns in the acceptance of Western music theory and the interaction between Japanese and Western theories of music." "Compared with the acceptance of Western music in modern Japan, there are many unknowns in the acceptance of Western music theory and the interaction between Japanese and Western theories of music." "Compared with the acceptance of Western music in modern Japan, there are many unknowns in this book." "Compared with the acceptance of Western music in modern Japan, there are many unknowns in the acceptance of Western music theory and the interaction between Japanese and Western theories of music." "Compared with the acceptance of Western music in modern Japan, this book sheds light on the subject from a variety of fields." "Compared with the acceptance of Western music theory by non-Western people, there is a glimpse of how non-Western music theory has been received by Western people, and what theoretical and practical adjustments and cultural friction exist in the process of acceptance and exchange." "Although the five chapters and six columns are loosely related, you can start reading from anywhere." "Included at the end of the book is a glossary of basic terms of music theory and indexes." "Also ideal as a textbook or reference book for universities." "Compared with Western theories of music." "Compared with Western theories of music." "Compared with Venn's syndrome : 』 listening to music as an autobiography (Shunjusha).
2009 麟玉 仲辻 Tsukahara 』 『 Kakinuma Sonoyama Nishibara 『 』 『 』 『 盛慶 Asahi Shohé Tanaka Henry